Thursday, June 30, 2005

Vicious Music to Listen to. Or eat. Or discard.


Dirty on Purpose Pictured.

When Clap Your Hands Say Yeah destroy Southpaw for the Vicious celebartion on July 20, they'll have some pretty buzzed company. This show will put Moveable Hype to shame. That's no fault of Moveable Hype, since 3.0 saw both CYHSY and Ghostland Observatory. (I missed Man in Gray and did not stay for the Fame).

First, here is a track by Ghostland Observatory: Rich man (mp3).
This sounds very very (very) similar to the Kaiser Chiefs track "Saturday Night." In my opinion.

Anyway, playing at that Vicious show is:
Dirty on Purpose (homepage)
Monument (mp3)
Mind Blindness (mp3)
To Forget (Live WOXY) (mp3)
You in the Monument (Two tracks) (mp3)
-Go to Bradley's Almanac for (6) six more live tracks.

Saints and Lovers (homepage)
Kiss It Goodbye
It's You
December
Heavy Hands
The Air
Crushed

I'll try to avoid Dr. Dog who is also playing. They were not very good opening for the New Pornographers at Maxwell's last week. I paid them a kindness by remaining silent.

"YAY! Let's get Naked!"


The title of this post was Bobby Bare Jr.'s response at Sasquatch when he learned he had 15 minutes to spare in his set.
This song gives me goosebumps. Just so nice:
I'll Be Around (mp3)

I know that the most of the people who visit this site don't know about Bobby Bare Jr., but he is one of a select few guys/bands that make me so unbelievably happy.

You can listen to a spot he got on NPR here (Real Player, 4 minutes). Don’t let the alt-country turn you off, he rocks and rolls (see review from IceCreamMan at Sasquatch). He’ll be backing up the vocals for Frank Black on his next album. And he’ll be playing with the Silver Jews (the remnants of Pavement) on their next –and final?- album. He did not back up for the Eels though on Blinking Lights.

Best news on his site is that he is working on his next album. Clap Your Hands needs some sort of competition this year, or else they’ll destroy my play count on iTunes. BBJr. Is probably the only one to thwart that attempt.

If you get the KEXP live compilation, he’s on that too; right between Interpol and Rilo Kiley. Never heard of them.

Wednesday, June 29, 2005

Ted Leo to play South Street Seaport.


Picture is from Kathyrn Yu at the Maxwell's show. She takes some fucking good photos, and not just of shows.

So, as I said before, Ted Leo absolutely rocked Irving Plaza Sunday, despite me being utterly exhausted. He's coming back in cased you missed it, but I can hardly imagine that the crowd will be as excited as it was Sunday. I think they gave everyone speed at the door -except for the couple directly in front of us; they were given E. C'mon people. Snuggle at the movies. not at Ted Leo.

Friday, August 26, 2005 at South Street Seaport with I am Kloot, and Tigers and Monkeys. The show starts at 7. Will Ted Leo be done so we can mosey over to Bowery Ballroom for Les Savy Fav? I could possibly be OK missing Thunderbirds are now, but I'd also like to check our Rahim.

Rahim is also playing with Ponys and Chin Up Chin Up on July 15 at Rothko.

PS ...Free shows are worth every dollar.


After hearing no confirmation from the people at Vice about getting into the Annie show, I decided there was no way I was going to actually pay for it. It probably started late anyway, and I wanted to take the week easy after last week’s endless shows.

Instead, I went to a different free show brought to my attention by irockiroll. They are called PS and they were surprisingly good. It’s not my favorite band name, but when you rock as well as these guys, it doesn’t matter. The more I go to early shows, the more I like them. It gives me all this free time afterwards instead of rushing home to go to bed. I would second Nora’s recommendation to go see this band, playing next at Northsix with Morning Theft on July 14.

Download:
Pylons (mp3)
Spelling (mp3)

Monday, June 27, 2005

Alec Ounsworth Solo.

So, Clap Your Hands Say Yeah are getting a lot of deserved attention lately. I just found out Alec Ounsworth, the frontman has his own site here. How has this escaped my attention?!?!

You can download demo mp3's of his work w/o the band.
He has a solo show on July 26 at Pianos opening up for the Harlem Shakes.

As Brooklyn Vegan said earlier today, he heard the influence of Bob Dylan. Listen to these demos ("We Should Drop Like Flies", "Poor Humpty Dumpty") and you won't be able to deny that. I think "Underwater" sounds like the Brian Eno/John Cale collaberation "Wrong Way Up" (except for the end that has it's "influence" from another even more obvious source). "Telling" for that matter could fall into that Eno category too. I don't like playing the "sounds like" game though. In another year, people will be saying that others sound like Clap Your Hands.

The demo for "Details of the War" is fucking sweet. The imperfect white noise from the recording process is great. "Cecil..." will appeal to fans of CYHSY.

CYHSY the band is from Brooklyn, with one exception: Alec himself lives in Philadelphia.

CYHSY also open for "Portion Control" at mercury lounge in July (Sold Out), and for Dirty on Purpose on July 20th at Southpaw (Saints and Lovers also play at that Vicious celebration). No Tix for that, yet.

And... Fourtet

To Northsix... all. the. way. in. September, on the 20th. with Hot Chip. Tickets Here.

Ponys and Chin Up Chin Up coming to Rothko

Both from Chi-ca-go. Friday July 15th, (right before Siren) For $5. Not bad. I think the Ponys are going for the record of most shows in the area. How many has it been for them? Gosh. I almost saw them when they opened for Bloc Party, but not really.
TICKETS ARE HERE.

What was, and what is to be:

I’ve been spending more time reviewing concerts than anything on this site, and there’s so much I’m neglecting. For instance, take a gander over at Take Your Medicine for pictures of the flooded Glastonbury Festival.

So here are reviews in brief:

Junior Senior @ Mercury Lounge, 6-23. I celebrated Gay Pride Week with a show with these Danes. So much fun, and the larger-than-usual gay crowd made the show even more dancey. I love to boogie, and this show gave me plenty of that. They also had a great formula: play the old stuff for the first half of the show to get the crowd going. Then, after the audience is already having a blast, play new songs. Everyone was into the new stuff so much, you wouldn’t have known that no one had heard it before.

Antibalas @ Prospect Park, 6-24. Whoa man, the whole band-shell was getting their groove on. At times they can get too far into a jam, but they always seem resurrect it. I was wishing they would just come out of the soft repetitiousness with the horns blaring, but it just never happened. Even so, I was very impressed with Antibalas and the participation in the crowd.

New Porn @ Prospect Park, 6-25. See post here. More dancing. Wearing me down, but still have:

Ted Leo @ Irving Plaza 6-26. It was a Sunday night, 11 PM. Just saw a string of great shows and wouldn’t have minded something low-key. Everyone else last night, however, did not share my exhaustion, and more dancing ensued. I did not expect the crowd to be so damn energetic. I’m not complaining at all. I wish I could have been even more excited, but my neck muscles were just too tired.

This week is a bit quieter, and mostly dance-free, with the exception of maybe Tuesday:

Tuesday, free show at Hiro with Annie. Hey, it’s free.

Wednesday, Eugene Mirman should be back from touring to go back to Invite them Up with Bobby Tisdale.

Thursday, Eels at Town Hall.

Friday, Canada Day!

Saturday, Music of Nick Drake at Summerstage.

Sunday, June 26, 2005

New Pornographers @ Prospect Park 6/25



First, let me begin stating my respect and gratitude for the VIP people who probably contribute a lot of money to support the concerts at Prospect Park.


After getting a sunburn at the Mermaid Parade, see naked green guy above, I headed home to have some chilled wine -55 degrees is chilled when its 95 out- before biking over to Prospect Park. When i got there, the Sadies had already begun rocking out with their alt-country rock and roll. They were excellent, but the problem was that
E V E R Y O N E was sitting down, practically comatose. When I mean everyone, I mean out of 2-3000 people there, maybe five (5) showed any sort of movement. I just couldnt bring myself to sit, so I danced next to the sound guy for the remainder of the set, even if I was the only one. Thank God for wine.

Between acts, right before the Stars came out, we moved right up front and stood at the gate. I figured, "Ok Ok, at least people will be up for the Stars right?" Wrong. Six people AT MOST joined us standing up front, at the gate. The Stars were fantastic, despite the chasm between fan and performer. Oh, in case you weren't there, Prospect Park now gates off the orchestra pit from the general public and has VIP people seating. Big problem for a rock concert, even an ever-so-polite Canadian one. But listening to the Stars verified why I included them as one of the best albums of the year so far. I've had a doubt or two since some songs arent as strong, but even many of those played so well live that I couldn't complain.

New Pornographers came on next, and the aisle started to fill....finally. A few songs into the set and the people sitting at the side had everyone standing, probably to see over the people standing in the aisles. The central seating was still lame. One large guy who asked a friend of mine to sit down for the Stars, picked up his chair and planted it right in the front row, right at the gate. Fuck, he was going to have his own free VIP seat and no indie rocker was going to take that away.

A few more songs into the set, Angela started to plot how to get around the gate. We thought about unhinging the gate, but that was too complex. Go under? Possible, but it would be a little tight. Over? Good idea, but hardly discreet. I could care less about being thrown out of the show, but I really wanted everyone behind us to follow. If we just jumped over, would anyone follow? But we didn't do any of the above. No courage.

Just then, like a God answering an unsaid prayer, someone jumped over the gate in the other aisle. Then another. And a third.

It was all over from there. One guy came up to us, and said, "Hey guys, come on in." Without hesitation, I leaped over that gate, Angela went under. Others followed. It was like that scene in the Oscar-winning film "Titanic", where the 3rd class Steerage passengers are trapped behind the gates, and then someone freeing them. Minus the life-threatening sinking boat and the freezing arctic water. But pretty much the same.

The concert from that point on rocked so much that everything before then had been overwritten. It went from being a tepid perfomance, to being, quite simply, fucking awesome.

Before (The best that I could get):


After:




Here is what a show should have, people at the stage:


After the show, we hung around to say hello to the band. We called Carl Newman out for wearing the same shirt on Wednesday as he did at Sasquatch. We were so happy to see him in different clothes finally.

(While I was happy to have been at the stage, I thought the guy that dived off the stage was an idiot. I did not perceive the progression towards the stage as a dangerous act, and thought that the crowd behaved well... except for the stage diving)

Thursday, June 23, 2005

New Pornographers @ Maxwell's 6/22:


(Pic via Wassanova)

It’s 9:00 AM and I just got to work. I got home form Maxwell’s last night at 1:30 AM. Brooklyn Vegan has already posted links to reviews by two others. AHHH.

Last night’s show was decent, but hardly spectacular. The first few songs or so fell flat. Flat, as in, like a rhino collapsing from the machine gun of a maniacal poacher. I had more energy at the Shout Out Louds* at 2 AM two weeks ago whom I barely knew at all.

Then some guy started almost pushing, or even moshing. This would have been a disaster except it seemed it was mostly in protest of the crowd that just couldn’t ‘go’. He calmed down and the show picked up tremendously from there. Maybe the audience finally got over the shock of no Neko. Anyway, if the whole show had been as fun as the last half, I would have few complaints. I did have high expectations, and the new stuff was good. I noticed a few people in the crowd singing along, a dead-giveaway to a leaked album.

Expect tonight to be much better, and Saturday’s show to be even more so –with the Stars opening, the crowd will already be in a great mood.

No, Kathryn is not Neko. She will not win recognition by Playboy. She probably won't receive the same affection that Neko does. But she is damn adorable -alla Petra Hayden for the Decemberists.

*Shout Out Louds play at Mercury Lounge on August 8. Tickets available here.

Wednesday, June 22, 2005

Top (Non) Favorite:


This album will be released this Tuesday. Although I have not heard it, I don’t think it will make my best-of.

What will:
1. Clap Your Hands Say Yeah (S/T)
2. Bloc Party (Silent Alarm)
3. Stars (Set Yourself on Fire)
4. Eels (Blinking Lights)
5. Hold Steady (Separation Sunday)

On the otherhand, I can't quite say Seagal's album is 'disappointing.'

Top Favorites of 2005

It’s almost mid-year. That means everyone will be announcing what their favorite albums are for the year so far. Although there have been many good albums, it’s hard to figure out which of those are the best. I decided to post my ten favorite tracks first. The top five tracks are from albums that could also easily have another song in the top ten.

1. The Skin of My Country Teeth – Clap Your Hands Say Yeah. This album, especially this song, is like that older cousin you used to wrestle growing up; the one who knows that one pressure point that would render you incapable of fighting back. Its disarms you and cuts straight to the core of innocent enjoyment.

2. Your Ex-lover is Dead – Stars. Great Album, but some songs are way more powerful than others. This opening track is amazing. The spoken word followed by the cello introduction, and then the male vocals and marching beat. Then when the female vocals take over… it just works so well.

3. Banquet (Phones Disco Edit)- Bloc Party. What else is left to be said about this band? I could easily chose another song and put it here. If ‘The Answer’ wasn’t from 2004, that’s be Number One.

4. I Predict A Riot – Kaiser Cheifs. I discovered these guys late, when I wanted to go to CYHSY at the Mercury Lounge and it was sold out because these punks were headlining. Finally saw them at Maxwell’s. Gets me pumped up every time.

5. Daft Punk is Playing at My House – LCD Soundsystem. The three descending notes. The harmonic strumming. The pumping rhythm. I wish it was better live, but I have no complaints.

6. Stevie Nix – Hold Steady. I didn't like these guys when I first saw them at the Mercury Lounge. Got the album from eMusic after the recommendations and I realized, damn, they ARE good. The interchanging of being age 17 and 33 'forever' puts ageing in such a positive light. The soft piano at the end compliments the classic rock riffs so well.

7. Pickin It Up – Hot Hot Heat. ‘Elevator’ is one of the most underappreciated albums of the year. Give it a shot. There are some gems on there. This is a guilt-free fun song. Dance, punks, dance.

8. Don’t Save Us From the Flames – M83. I don’t really like M83. I don’t really like this album, although I haven’t listened to it much. But I do love this song.

9. Mother Mary – Eels. A great typical Eels song on an ambitious and controversial double album. I was neutral on the album at first, but I keep going back to it.

10a. Tigers- By the End of Tonight. One of the best live acts you’ll see. Pray they come back this year. Album is so-so. It's heavy. It rocks. This song starts soft and then builds and builds and builds.

10b. Close I’ve Come – Ben Lee. Early reports said the album was awful. It was, mostly. Now recent reviews give it more credit, and “comes closer” to how it really is. Yes, he is a bit dippy. But there are a couple good tunes on there. This is one. I chose this one because he says “fucking” in it. Ok, to be honest, he says “You broke my fucking heart.” This IS Ben Lee after all.

Tuesday, June 21, 2005

Clap Your Hands Shout Woooo


(Pic courtesy of On the Pull Management, who is hosting another Ghostland Observatory show)

Clap Your Hands Say Yeah played to a full house at Knitting Factory last night and were wonderful. The crowd could have been a little more enthused, but that’ll come eventually. Say what you want about mainstream kids -did anyone even go to Modest Mouse?- at least those kids move.* The band seemed far more polished than they did a few months ago, and I wondered just how many shows they’ve performed. I think it’ll only get better with more experience performing. The highlight of the night was ‘The Skin of my Country Teeth.’ What a great song, on such a great album.

The dancing didn’t start until Ghostland Observatory who played to a significantly less crowded –uhhh- crowd. Ghostland Observatory was a spectacle. Very dancey. I had a great time, but it was more for the novelty of their performance; in the same vein as Danko Jones, the pseudo-WWF rocker. Listening to their tracks before hand gave me no indication what they are like live. A surprise, and a bunch of tongue-in-cheek fun.

By the time the Fame went on stage, the place had emptied out quite a bit. We stayed for two songs, and bounced. Blah.


* “Pizza doesn’t dance.” -Stars at Southpaw 4-30-05, told an anecdote about playing a gig the night before and told the audience they were headed to New York next. The crowd balked about the NYC music scene. Stars countered that we do have good pizza. Then a guy replied with ‘Pizza doesn’t dance.’ He is right, though. Pizza doesn’t dance. And yeti, for that matter.

Monday, June 20, 2005

Monday Links

-BV posted on Spin’s top albums of the past 20 years. NWA’s “Straight Outta Compton” made the list, so in case you missed it before, here is the album without all the filler –only the swearing:
N.W.A. Explicit Only

-Scenestars has posted a couple more tracks by the Editors -cause you probably already have ‘Munich’.

-Said the Gramophone has a New Pornographers song –‘The Bleeding Heart Show’- up from their forthcoming album, and it’s not ‘Twin Cinema’.

-Underrated has links up to mp3s from albums she has recently splurged on.

-Tickets for the Arcade Fire’s next tour have already gone on sale, but only two shows have been confirmed around the nation. Will they play in NYC prior to CMJ? I hope so.

-The Shins have confirmed their forth show in a row at a bad NYC venue -well i guess, Keyspan Park works for a B-ball game. Webster Hall was good for LCD and Bloc Party, but not for the Shins.

What a week ahead:


Three shows this week: New Pornographers

Coming up this week:
Monday June 20: Clap Your Hands Say Yeah at the Knitting Factory. See previous post here.

Wednesday June 22: New Pornographers at Maxwell's (also Thursday). Long sold out, this should be a great show. A.C. Newman was solid -and loud- at Sasquatch, and he is even better with the N.P. Their album comes out on August 23, but you can download Twin Cinema (mp3) here. If this is an indication of the rest of the album, we are in for a treat. Once again though, another example of a band touring prior to a CD release. I got more examples coming too, just wait.

Thursday June 23: Junior Senior at Mercury Lounge. Also sold out, but not nearly as fast as I would have imagined. Last night I went to a club -yes, I admit it- and they played 'Move Your Feet'. It got me very pumped for this show. I have an extra ticket if anyone is interested. They have a new single that you can listen to on their myspace site. Or you can download it here: "Itch U Can't Skratch" (mp3). It took forever to find a link that wasn't dead.

Friday June 24: Antibalas Afrobeat Orchestra. Free show at Prospect Park. This guys were a lot of fun at Tonic. Loads of musical influences, and we're not talking about Gang of Four or Joy Division. Soul, African, Jazz, Caribeean, Big Band, Swing, et cetera, et cetera. I still have to scour the internet to find a version the New Health Rock they played with TV on the Radio. If anyone finds it, give me a shout.

Saturday June 25 - Mermaid Day Parade in Coney Island. I still havent been to one yet. Off-topic: Has anyone seen the NYC Paradetown show on cable channel 74? It's pretty ridiculously funny. Parades are pretty boring when you are right there. Off-topic #2: Has anyone seen "Man in the Sand", the making of Mermaid Avenue album with Billy Bragg and Wilco? Worth a rental if you are a fan of the album like me.

After the Parade, the best show of the week in terms of bang for your buck will be Stars and the New Pornographers at Prospect Park. Another free show, for only $3 donation. Gather all your friends and convert the savings at the beer tent.

Sunday June 26 - Tegan and Sara play for free at Central Park and then Ted Leo and the Pharmacists with Radio 4 at Irving Plaza. Also Sold Out. Think Ted will play "Since U been Gone"? (He also plays at Maxwell's the next day with Radio 4?!?! When did that get announced? That is not sold out.)

Monday Shorts:
-Bliss pop posts Mp3's every month. Buzz bands abound. You probably can find many of them elsewhere, but it's a nice list.
-This guy is going through every song in his Ipod in alphabetical order. I couldn't do it.

Sunday, June 19, 2005

Christmas in... June!

A lot of Downloads today... because it's Christmas in June.

Before we get started, he is a streaming serformance from May 27th here, via WFMU. I hate streams, but give it a try anyway.

I found an additional Bit Shifter mp3: "Parapersona Crash"

You can -and should- download an entire Christmas album put out by 8bitpeoples. I know it's out of season. Go Here.

It's not quite the Jingle Cats (O Christmas Tree mp3) Download that and you won't believe your ears. Auld Lang Syne (mp3) is ten times funnier, if you can beleive it.

By the way: Two phrases have entered my daily life this year: 'Daft Punk is playing at my house' meaning 'let's hang out at my place.'* The other is B.S.'s album title 'Life's a Bit Shifter.' This can be said either like 'Oh shucks, life's a bit, you know, shifter at times.' or "Fuck, man, life's a Bitch-ifter."

*The 'Daft Punk' line also works well on girls at bars.
**If you haven't downloaded the Jingle Cats songs, do it. It's highly likely they've been circulating the internet for a couple years already, but they are too funny to not bring them up every so often.

Friday, June 17, 2005

And You Could Talk a Little Less….


(Picture from the Brooklyn Vegan. It was hard to pick just one)

Bloc Party. Where do I begin? At the end? By now you’ve heard about the encore. In summary, after playing an awesome and exciting set, Bloc Party returned to the stage to play the mandatory encore. It was great; it was fulfilling; a fantastic way to end the best performance I’ve seen them give, even though they didn’t play “The Answer” (download mp3). It’s my favorite song and I go nuts everytime they play it.
Since they only played a couple songs for the encore, I knew it wasn’t meant to be.

House lights and house music came on, and everyone streamed out. I was still pretty pumped about the show, when a roadie came on to the stage and said, “The band is coming back on, if anybody cares.” HA! If anybody cares! At that moment, everyone who was still in the room rushed back to the stage. So say it was thrilling would be an understatement. Bloc Party came back on stage and played a new song which almost fell flat (the end saved it a bit), and then… and then… and then… they played “The Answer.” I wet myself.

Ok ok. Maybe I didnt really wet myself, I am an adult after all. But fuck. Have you really listened to that song? The part with the cascading lines of guitars backed by the rolling drums? And the build up at the end? With the continually cascading part?! It resolves itself so perfectly that I which the song was another four minutes long.

So I looooooved Bloc Party Wednesday night. It was my fourth show, and I was all prepared to write how boring they are getting. The Roxy show was unbelievable, the Bowery Ballroom show (Thursday) was very good, the Sasquatch show was fair (but largely forgettable). The Webster Hall show was going to be a big unknown and after reading about how bad Tuesday’s show was, I was skeptical.

So, I left nothing to chance. At the Cherry Tavern I had 10 drinks in an hour and a half. Yeah, you could say I had a good time at the show. But I wasn’t the only one. The crowd I was in was going nuts too. At first I thought it was the whole room, but when I stopped moving and looked more than 10 people away, the movement was far less intense. I think all the crazy people like me all grouped together. The band fed off this like a hungry ogre. (Bad simile, I know, but I’m too lazy)

Additional thoughts on Webster Hall:
-The sound was awesome, but there is mixed results around the blogosphere. I think it depends on where you were standing. The only bad thing about the sound I noticed was that when Kele spoke, it was indecipherable. The Brooklyn Vegan posted on what he said. According to him, they’ll be back in September. I haven’t not had a Bloc Party show in my future in a long time.

-drinks too expensive/bar staff slow? Cherry Tavern, man. Cherry Tavern.
-those bright strobe lights that blind you? I didn’t notice them Wednesday, or they didn’t bother me. Same with the fog
-Trampoline-esque floor? I was bouncing too much to notice.
-Too hot? Nope. Heat wave ended.

Best show of the year? Definitely one of them.

So, all in one place, what others are saying:
Brooklyn Vegan
Coolfer
Prefix
One Louder
Jay Goodtimes quotes Hawk
Manic Mess (unfortunately didn’t have a goodtime)
Productshop is being cynical about the crowd. (in the balcony?)

By the way. If you type "Bloc Party" in Google Images, my shitty cell phone shot from the Bowery Ballroom comes up as the 31st hit. It's such a bad picture, but it's just so popular on Google.

Thursday, June 16, 2005

Will post on Bloc Party tonight....

I'm. just. so. damn. tired.

The show took all my energy. I'm even too tired to be happy my ipod is fixed and I finally got W.A.S.'s Wolf's Hour EP in the mail.

I will only say for now, that before last night, my interest in Bloc Party was waning. No more.

No more.

Wednesday, June 15, 2005

The Hold Steady....

-The Big Ticket posts an acoustic Hold Steady track, “Modesto”, backed by accordion. It’s very interesting. Check it out.
-Everyone is posting on Clap Your Hands today.

What song is this???

.
(pic from seepocke)

While my iPod is out of commission, I bought Shuffle to get me through these silent times. Unfortunately if I’m listening to something new, I have no clue what it is. Such was the case when I added a fifth (great) track by Clap Your Hands Say Yeah that I downloaded from Said the Gramophone (the other four are found on their own site), and when I expected it to come up, something else did. Of course I didn’t realize this, and thought the entire time “Damn this doesn’t sound like them.” The point of this is to tell you to go to their show on Monday, June 20 at the Knitting Factory. Although I wasn’t blown away the first time I saw them, these songs are just so damn good. If they can tighten up their live show (which they may have), they will be a force with which to be reckoned. And it’s $8. If you watch at least two acts, it’s like a buck per person performing. They are playing with The Fame (of NY Press ‘fame’) as part of the Gothamist Moving Hype Series. You'll be able to pick up their new CD there too (at least I'm counting on it).


UPDATE: It seems You Aint No Picassso posted today on the same topic (and probably beat me to it today). He mentions this review from Pitchfork, who are trying not to wet themselves over the album.

-The Village Voice wrote a Review of the Stephen Malkmus show, and they too comment on the awful opener.
-I also concur with their comment on The National. But if people like them, more power to you. You won’t have to worry about me crowding the stage.
-NIN are coming to Madison Square Gardens on November 3.
-Ben Harper is playing Irving Plaza on July 27. That’ll sell out like combustion.

Tuesday, June 14, 2005

Yeah Yeah Yeah Yeahyeahyeah Yeah Yeah.


(Picture from Fader)

So, I’ll be the last to post on the LCD Soundsystem show on Friday. Given that, I might be tainted by what I’ve read already. They played ‘Daft Punk is playing..’ but it was definitely not to the same caliber as the album version. They played it at a frenzied pace, just short of cut-time, and it almost self-destructed (not good). LCD’s beats are strong where they are, and especially on “Daft Punk” where those three decending notes are slow and powerfully charged.

The sound at Webster Hall was also noteworthy: it didn’t suck as usual; in fact it was incredible. I can see why it works so well as a club now, that is, as long as danceable music is being piped in over those speakers. Actually, for the first song or two by LCD, the sound wasn’t great. It was subtle, but after the decibels coming from Juan Maclean, it was temporarily softened. The soundboard quickly added more juice in time for the mid-set dance-a-thon.

‘Movement’ was the highlight of that mid-set. I could feel the tension building in the crowd before James and the crew burst into the rage, thinking “This crowd will be going nuts in about 30 seconds.”

They ended the set with ‘Yeah’ and if you read around, you don’t need me to tell you it was crazy. It was magical, intense, and creatively destructive. They left the stage leaving me in awe. Rarely do I feel that I need an encore. Unfortunately, when they came back on, the encore didn’t reach the level of the earlier played stuff, and nowhere near ‘Yeah’. It’s that song that I’ll remember leaving with.

As Aziz puts it:
“And my god, the freak out at the end of ‘Yeah’ is one of my concert highlights for the past few years, it was so awesome.”

Monday, June 13, 2005

Sam Champion, and the Comas:

This is a great picture of Sam Champion, the weatherman.



Download Sam Champion, the band, if you haven’t done so already:

Too Broke by Sam Champion (Mp3 at The Big Ticket, stream at MySpace)
Now Look at Me by Sam Champion (Mp3)
Too Close by Sam Champion (stream at MySpace).

Shows this week (taking it slow):
6/15 Bloc Party, Engineers @ Webster Hall
6/17 Sam Champion, Helio Sequence, Rogue Wave @ Bowery Ball Room

Engineers open for Bloc Party. I was recommended to them by the guy I talked to at the Diesel-U show Thursday. They also open for the National, whom I don’t care for, on Friday.

And speaking of openers, when will Sam Champion stop being an opener for an opener?
And as OneLouder recommended last week, Juan MacLean turned out to be decent opener for LCD Soundsystem. Not in the same league as LCD, but an O.K. act.

Last night the Comas played a set w/o their drummer at Union Pools in Brooklyn as part of the Sup Magazine and Music For Robots party. Not on target as the Mercury Lounge show, but still impressive. They were missing their drummer, and as I recall he plays like a madman. They play their next gig at Rothko this Saturday June 18th. L

And if you didn’t know, they post unreleased mp3s every week on their site. So far:
Week 7: Pins for Lose Geographics (mp3)
Week 6: Sadness Is An Imaginary Gun (mp3)
Week 5: Gingivitus (mp3)
Week 4: The Aphid's Eye (mp3)
Week 3: Bad Connexion (mp3)
Week 2: Radio (mp3)
Week 1: After The Afterglow (mp3)

Saturday, June 11, 2005

MFR Pics, Shout Out Louds, Diesel-U Music Awards: We Are Scientists + Out Hud, MotherF'ing and Bloc Parties, and LCD Soundsystem (almost).

Sorry this is a long post, but I’ve been busy this week and I have a lot to report:

MUSIC FOR ROBOTS:



This picture was taken by Music for Robots, at their event two weeks ago, and it’s one of my favorites. That was taken of the crowd during the Hysterics. Notice anything in the photo?


Here’s a good one at MFR of El Ten Eleven. Judging by the comments at MFR, it seems like a lot of other people at the show liked them, but had no idea who they were. I went up and asked Kristian (one-half of El Ten Eleven) what they were called. They need a banner or something to let others know.
Go back to this post for MP3s.
MFR has more pics of that show.

SHOUT OUT LOUDS:

The Shout Out Louds had a banner last night at the Tribeca Grand. I tried to get a photo, but my phone super-sucks. They were very good. Awesome perhaps, except it was the 7th show in five days for me. A new personal record. Judging by the T-storm, I think I’ll skip TMBG at South Street today. I hadn’t gotten much sleep all week, and staying up to 2AM completely sober isn’t good for that. Productshop did an interview with them beforehand. It's pretty humourous: every question seems to have an ulterior motive, which is revealed in the next question.

Anyway, I’m already talking about last night. Let’s go back in history a little bit:

DIESEL-U MUSIC AWARDS:

I got good and drunk Thursday night at the Diesel-U Music Awards. It seems every blogger and their mother was given passes (except me). I had to contact the promoter myself, and even then I didn’t get my passes in the mail in time. I ended up getting passes from Audrey who had to DJ at her own event.

With an open bar and a sweet wide set up, the Roxy is my new favorite venue. I know it’s not always open bar, but the only two times I’ve been there it has, and the results have been great. When I’m a famous rock star, I’ll have open bar at all of my shows. I won’t make money, but I don’t make much right now either.

Anyway, whenever I’m alone at these things I always end up talking with music reporters. Roxy must’ve been crawling with them since I found one (or he found me) after five minutes. I tried to answer as much as I knew about the two bands, but then W.A.S. came on, so I had to go. Now that I think of it, I could have made shit up about them and maybe it would have been reported.

WE ARE SCIENTISTS:



This is the first hit on Google Images. It has nothing to do with the band, but it’s still awesome, and not wholly unrelated to their humor. The artist’s other stuff is pretty funny too.

I’ve seen We Are Scientists four times now, and damn they are good. Someone at the LCD show last night asked me if all the hype was worth it. Hype? For W.A.S.? They play the Tank and CBGB and now Mercury Lounge in July. You can’t even buy advance tickets for that show. The hype hasn’t yet begun. I think it will, and then everyone will fall into camps of either liking it or disliking it. Go now and just drink and have fun. Listening to them won’t make you cooler. Drugs make you cooler. And cigarettes make you look more sophisticated and older.

So, I was on my way to getting drunk when W.A.S. started playing. I went up front and danced in the vicinity of the friends they brought with them, including who else but Bishop Allen. I shook Justin Rice’s hand, only afterwards realizing he doesn’t know who the hell I am. By the end of the night, I didn’t know myself. W.A.S. dedicated a song to Bishop Allen, and that made me happy. A little sad, but a little happy.

It turns out I know some friends of the band. Of course they had VIP access. And to get VIP access you have to be friends of the band, not friends of the friends. Poor Jerry had to drink the poor (yet free) Gin and Tonics in the plebian half of the room. Did I mention I was drinking yet? Shit, man, I can’t complain. I didn’t want to go into the VIP section anyway, although I hear (from ManicMess) that they had potatoes there. F’ing PO-TAY-TOES.
VIP indeed.

OUT HUD:

Out Hud played next. I saw them play Bowery a month ago and felt I was let down. It didn’t have the same intensity that their sister band !!! had at Mercury Lounge.

At the Diesel-U show, though, Holy Shit. They went nuts. It was crazy good. Ten times better than the Bowery show. Receiving an Award with $10,000 will do that maybe. There was tons of room to dance if you were drunk enough to be out there with me. Nic Offer has to be one of the best front-man of any band. He pulled out all the energy that made the !!! show great, and multiplied it. He had so much energy that by the end, the stage could no longer contain him, and he descended to dance in the crowd.

I wasn’t originally too excited for Out Hud to play the Labor Day Motherfucker Pary, but now I can’t wait. I hope it’s at the Roxy.


MOTHERFUCKER PARTIES:

I hear the Fever will play the MF Party at Spirit for July 4th. Not too excited for that since I wasn’t into them when I first saw them at Crash Mansion. To be fair, I was there early to see Clap Your Hands Say Yeah, so I was wiped when Fever went on.

Clap Your hands is the band I DIDN’T see Thursday, since I was at the Roxy. It all circles around doesn’t it? Fortunately they are playing the Gothamist Moveable Hype show on June 20th, as well as a slew of other summer shows around town.

BLOC PARTY:

Speaking of MF parties; they’ve had Bloc Party pictures up for a bit. To get pumped for their Webster hall shows, here is one:


Unfortunately, they have gotten progressively less exciting the more I see them. I hope they can recover some of the earlier excitement I've for their live show. I'll do all that I can to drink before hand. It's the least I can do.

LCD SOUNDSYSTEM:
I’ll have to write about the LCD Soundsystem show on Monday. It deserves its own post.

Until then….

Thursday, June 09, 2005

Bit Shifter at Knitting Factory

.

Last night was another case of “I’m not in the mood, but I’ll go to the show anyway.” And almost every time I do, it immediately cheers me up. Last night was no exception as Bit Shifter kicked some ass at the Knitting Factory.

He opened with a slow piece, a short introduction, then in a break of less than a second, he held up his finger, in effect telling us to wait. Just then the Gameboy bust into the real stuff and the dance party began. If I wasn’t tethered to my beer and table, I would have been out there too. Instead I danced as much as I could sitting with a beer. John of Bit Shifter did not stay as immobile, as he took short breaks from the two Gameboys that were cranking out the jams. Unlike most Chiptune music I’ve heard, Bit Shifter doesn’t rely to heavily on maintaining the “Video Game” Sound. Instead it is far more dissected and mixed into far more engaging songs.

Playing before only handful of people (12-15?), it was the highest percentage of dancing I’ve ever seen: 80%. In addition, there wasn’t a crowd to be an anonymous dancer. It had the same innocent feel of getting drunk at a wedding and shaking everything you got. It was that good.

If you have a chance, check him out if you haven’t already. He plays live this Saturday 6-11, at Code Residue @ vertexList in Brooklyn at 9 PM. It’s free, so you have no excuse.

Download tracks from my previous post here.

Wednesday, June 08, 2005

AHHHH! The Doors!

No, not the band "The Doors", I'm talking about the doors of Webster Hall. For LCD Soundsystem, that is. 6:00 PM? So will that put them on by 8:00? How can I possibly be drunk by then? And, if you happen to be going to the Get Up Kids next week (not for me), doors for that are at 5:00 pm! On a Friday! Is anyone out of work by then? Stupid Clubbers.

Good news for this week: music for robots is sponsoring an Indie Rock Pig Roast. This Yeti's favorite, the Comas, will be performing at 8:30. I hear the other bands are good too. "Doors" for that are at 3:30. That's ok because it's a Sunday Afternoon type of thing.
.

Stephen Malkmus @ Irving:

Stephen Malkmus was fantastic last night. I know I am typically optimistic and love everyone and everything, but even so, this was far better than what I expected. Outside, there were quite a few desperate people looking for tickets. I know because I had to wait for Angela to arrive and I got asked several times if I was selling. I was this close to scalping hers to some girl if she would show me her boobies.

I had gotten through the "Face the Truth" just enough to be able to recognize the songs and think "hey, I recognize this song. it's new." They, (that is, the new stuff), sounded great last night and I can only imagine they’ll be successful once the audience is even more familiar (I was informed S.M. has playing playing many of these for a while). How come I feel New York often has bands perform right before their album comes out, or that same week? It makes me feel so rushed.

How shitty was the opening band? About as shitty as you can get. Last time I went to Irving Plaza, I got there late for the Decemberists, and could barely see. So I figured I err on the side of being early. The band was simultaneously boring and deafeningly loud. Volume will not cover lack of skill. I really hate being negative, but I just can’t remember the last time I had such abhorrence for any band. The guitarist didn’t even appear to be playing. Only once did it sound good, but then I realized, it was pre-recorded. How did I know? Because they didn’t even pretend to play along. Question: How do you make a shitty band sound shittier? Answer: Turn on a strobe light and blind the crowd. Maybe I liked Malkmus so much just for not being that band.

Tuesday, June 07, 2005

Futureheads, Mike Viola, and 6 hours of Beer drinking:



Picture courtesy of The Modern Age (since I could see only heads, and I don’t even have a digital camera)

So, I haven’t listened to the Futureheads all that much. No reason why. I’ve just been busy. But that didn’t stop me from going to their free acoustic show last evening. Although it was packed, and I could only see heads and the display screens of digital cameras, (what The Modern Age calls “the blogerazzi”), I could still hear fine, and it was very very good. It was a short 30-minute set just as I had expected, and I think the acoustic format did them well. They weren’t always perfect, and occasionally their voices seemed weak… except for the fact that they in fact did sing with confidence and thus carried their whole performance extremely well.

Afterwards my posse joined up with me, and six of us went next door to the Living Room to see Mike Viola. He played a solid set, but leaned towards the quieter finger-picking than the faster songs for which I know him. In fact, he didn’t play anything I knew; most of it was either very new or obscure covers. I highly recommend him, but don’t expect him to play stuff you may have heard, despite his seemingly openness to requests. Perhaps he is fine remaining, as he puts it, “eternally unknown.”

After that, we headed to the Futureheads after-party for free beer, and Yaffa café after that. 6 hours of beer drinking. Who needs a vacation? No wonder I’m so tired today.

More Sasquatch:

Icecream Man has finally posted his Pictures.
If you missed mine, go back a couple days, or click here.

Monday, June 06, 2005

The week ahead:

Busy week for music, and this doesn’t count the stuff I can’t go to:

After tonight’s free Futureheads acoustic show at Pianos(6:30), go on down the street to the Living Room for Mike Viola at 9:00. Suggested donation Tip jar $5.

Tomorrow of course is Stephen Malkmus at Irving Plaza. I have one day to get to know his latest.

Wednesday, check out Bit Shifter at Knitting Factory Tap Bar. I can’t promise it will be awesome, but it might. The two tracks that I have, I have been repeating endlessly.

Thursday is the long awaited Clap Your Hands Say Yeah CD release at the Delancey. Yeah! It’s also the Diesel-U Awards that night.

Friday: LCD Soundsystem at Webster Hall.

Tuesday also sees the release of “Anniemal” by Annie. She’s in town again at the end of the month.

Saturday, June 04, 2005

Sasquatch Review 2005:

.
Finally, here is my report from the desert lands of Central Washington on what I can recall of Sasquatch.

We made our way across the mountains early Sturday morning in a borrowed Land Cruiser able to do a max 55 mph over the Pass, and into the arid climate where the Gorge was situated. After hastily setting up our camp site, we guzzled a couple beers and headed into the venue under a scorching sun. I'll probably repeat how hot it was several times... or look at the photos to see all the sun-fucked people. Unfortunately we didn't have enough time to drink massive amounts of beer before seeing U.S.E and Arcade Fire, but it probably worked to our advantage: we weren't hungover at 4 PM.

We rushed down to the main stage as U.S.E. was playing Nightshift. Not my favorite song, but the crowd was already dancing... pretty awesome for some tortuous weather and a noon timeslot. They followed with (I believe?) Open your Eyes, which made me happy. That was all that we saw of them, before they went off stage...only playing about 5-6 songs total in the half hour they were given. I kept closing my eyes imagining how awesome they were at Pianos during CMJ, and how drunk I had been. Not to be. There are currently about to tour the West coast with the Hold Steady, and we can only hope they come back east with them.

.
Next up was Bloc Party, and technical difficulties began as they would continue for other bands later on in different forms. Different bands reacted differently (no surprise). Bloc Party guitarist Russell Lissack's guitar was not sounding right to him (sounded fine to me), so after some fruitless tinkering, they played on. While Russell was providing the lick to the backbone of a certain song, the roadie came out and switched chords, which he finished doing just in time for the last note of the song. Classic.
.
Since we were in the very front, it was hard to tell how much of the crowd loved it, and we had a high benchmark from the Motherfucker Party in Febuary. Unfortunately I had not drunk enough and Bloc Party didn't wow me enough this time. I'll remember to drink more (red bull and vodka), before their next show in a couple weeks.

Angela and I were by now dehydrated (after one hour)... so we caught the tail end of Menomena, which amazed me for the little I saw of them, and we got food. We then lounged on the knoll at the Wookie Stage, and saw the Dears whom I had heard a lot about, but nothing by. They were solid, but I was wholly unfamiliar with them and they had a sound that I would need to know better. Luckily for me, I'll have that chance at Siren.

.
.
A.C. Newman followed and we almost nearly lost our hearing. From the knoll, the sound is great. Up in the front, the Wookie stage was LOUD. We quickly backed away to the middle to save our hearing for the rest of the day. There was a sizeable crowd watching, and A.C. mentioned that it was larger than when he played the Main Stage last year with the New Pornographers.

.
After being very impressed, we left early, now 3:30, to get back to the Main Stage for Arcade Fire.

.
.
.
.
Angela had to trust me on this one. She had been unmoved by "Funeral" and tossed the hype aside as only that. I on the otherhand had sincerely liked the album and had heard the reports from Coachella that not expect them to be on mark. Fortunately though, it was also their last show after extensive touring. They came out strong and went crazy. I can't say much except their performance alone tipped the day from being Good to being Great.
.
Madness on stage. After the opening, they calmed down a bit...lest they tear the whole stage down. Since I knew they were to play a short 45 minute set, I had expected them at any moment to finish and go off stage, leaving the crowd desperate for more. In fact, at one point I think everyone thought the show had come to a fitting conclusion. Just then, with the rhythm of the previous song carrying on, they bust into one more, and the crowd resumed motion.

.
.
.
Wilco was to take over from that. He came out looking so damn happy and never stopped. I had seen Wilco at Radio City Music Hall and was disappointed. This time, I know what type of performance to expect and was met with that plus more. Jeff Tweedy doesn't really "rock out"... it's more of a jam, more of a groove; but not like Phish or anything. My only complaint was that every song he played was off of either Yankee Foxtrot or Ghost is Born.
.
.
.
I am a big fan of Being There and the Mermaid Avenue Volumes. I love the new stuff, but that's no reason to forget everything you've done before. The crowd was pretty thin for Wilco too which surprised me. Perhaps they had needed a break after the lovefest of Arcade Fire.

.
.
A Picture of the Beverage Enforcement Team!

.
.
.
After standing for those sets at the main stage, me legs needed a break, and so we headed back to the Wookie to relax and catch Bobby Bare Jr. If you know me, you know I loooooveBobby Bare Jr.. Since I had just seen him at the Mercury Lounge three weeks ago, and already 3 times in 2005, I sat on the knoll and sang along from there.

.
.
.
Joanna Newsom was next and as I was trying to take pictures, she played Bridges and Balloons... damnit, I wish she played that later when I wasn't trying to figure out how to best photograph her. I We remained on the knoll and took in her harp and voice. It was the perfect interlude music and the temperature was finally starting to calm down from its blistering climax. The more more I listened to her, the more I started to really really like her. I am sure if I had stayed, by the end I would have been fully enamored.
.
.
.
.
.
As we made our way around the main stage, Kanye West was working his crowd with great gusto. Briefly, I had secound thoughts if I had chosen correctly with Joanna over Kanye. In the end, I realized I needed the rest: I couldn't possibly stand at the main stage from 3:45 to 10:00.

After being squashed by a horde, we got into the main pen in front of the stage. In fact, all day we had great luck getting as close to the stage as we wished. After Bloc Party, I chose to stay back a bit so I could watch the crowd dance as well.

.
.
.
.
Modest Mouse went on and the crowd went nuts. Had we been five feet closer, it would have been mayhem. Instead I danced just outside of that (but still in the main throng), and my energtic movement looked like a statue compared to the people in front. After two songs, Modest Mouse won me over for haveing the best show of the day.... and had it not been in the 10th hour of music that day, would have been the best show all year. They stunned me. I knew I loved their albums, but I also saw them on SNL and they stunk. I expected a mediocre performance backed by superbly written songs. Instead, those songs became redfined by their performance of them. Now whenever I'll listen to them on my iPod, I'll be brought back to Sasquatch. Do I regret selling my tickets to their Central Park show? A little. But I doubt it will equal to the "hometown" (they are from Issaquah, WA) reception they got Saturday. It is the kind of performance that will grow even more fondly as it ages.

I was exhausted. Back to the Wookie Stage to see Matisyahu. But I was not in the mood for Reggae. I was in the mood for food. Or sleep. But the concession lines were too long. We headed back to the main stage for the Pixies. Too tired to go back into the "Pen", we thought we'd find a nice spot on the terraced hill. Nope. No spots were to be found. When we finally found a bit of real estate to claim, we were very very far away. I laid down, stayed awake one song, and fell asleep. Angela woke me up saying "You don't get an award if you stay to the end." I agreed and we stood up to go as the Pixies played the opening of "I Bleed." We stayed for that and headed out.

Worn, sunburnt, cold, and hungry. But ecstatic. And still in awe.
.

music mp3